I’m Elizabeth Case (they/she), and I’m a a genderfluid scientist, artist, and writer living between previously glaciated, currently glaciated, and flood-prone landscapes.
I am currently a postodoctoral researcher at IMAU (Utrecht University) in the Netherlands. A copy of my PhD thesis, Ice Formation, Deformation, and Disappearance, can be found here. I have worked on glaciers in Alaska, Wyoming, and Antarctica.
I am especially interested the dissolution of boundaries between earth science, the arts, and humanities, and the ways we can make the data that underlies our knowledge of the climate crisis emotional, tangible, and interactive. I write a newsletter about this called Process Pending and am actively seeking scientific and artistic collaborations in this area.
If you’re looking for an expert on glaciers, polar-related climate-crisis impacts, or scientific context for art related to ice, I am available for freelance work in Europe and the U.S. I have advised on glacier-related films, reviewed books related to Antarctica, and written essays for polar-related art exhibition catalogues.
My CV can be found here.
I am currently a postodoctoral researcher at IMAU (Utrecht University) in the Netherlands. A copy of my PhD thesis, Ice Formation, Deformation, and Disappearance, can be found here. I have worked on glaciers in Alaska, Wyoming, and Antarctica.
I am especially interested the dissolution of boundaries between earth science, the arts, and humanities, and the ways we can make the data that underlies our knowledge of the climate crisis emotional, tangible, and interactive. I write a newsletter about this called Process Pending and am actively seeking scientific and artistic collaborations in this area.
If you’re looking for an expert on glaciers, polar-related climate-crisis impacts, or scientific context for art related to ice, I am available for freelance work in Europe and the U.S. I have advised on glacier-related films, reviewed books related to Antarctica, and written essays for polar-related art exhibition catalogues.
My CV can be found here.
Fragments of Knowing
adapted from Katherine McKittrick, irregularly updated, these objects, references, readings, poems, images, and notes are temporaly situated, a way of remembering process, conveying how knowledge and learning are knotted and cyclical, what’s currently informing or inspiring my thinking, and/or what I am currently thinking about or making
